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Jun
17
Mon
Country Music Monday at Hattie’s
Jun 17 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jun
20
Thu
HousingFest 2019 featuring Mandolin Orange
Jun 20 @ 7:30 pm – 10:00 pm

Mandolin Orange’s music radiates a mysterious warmth —their songs feel like whispered secrets, one hand cupped to your ear. The North Carolina duo have built a steady and growing fanbase with this kind of intimacy, and on Tides of A Teardrop, due out February 1, it is more potent than ever. By all accounts, it is the duo’s fullest, richest, and most personal effort. You can hear the air between them—the taut space of shared understanding, as palpable as a magnetic field, that makes their music sound like two halves of an endlessly completing thought. Singer-songwriter Andrew Marlin and multiinstrumentalist Emily Frantz have honed this lamp glow intimacy for years.

For this album, Marlin and Frantz enlisted their touring band, who they also worked with on their last album Blindfaller. Having recorded all previous albums live in the studio, they approached the recording process in a different way this time. “We went and did what most people do, which we’ve never done before—we just holed up somewhere and worked the tunes out together,” Frantz says. There is a telepathy and warmth in the interplay on Tides of A Teardrop that brings a new dynamic to the foreground—that holy silence between notes, the air that charges the album with such profound intimacy. “This record is a little more cosmic, almost in a spiritual way—the space between the notes was there to suggest all those empty spaces the record touches on,” acknowledges Marlin. There are many powerful ways of acknowledging loss; sometimes the most powerful one is saying nothing at all.

Jun
22
Sat
KIM RICHEY + JOSH ROUSE
Jun 22 @ 8:00 pm
KIM RICHEY

KIM RICHEY

Edgeland moves roots singer/subtle excavator of the human condition Kim Richey through the topography of the life lived by a woman committed to following her music. Flinching over hurting another, knowing the ways of the road, seeking higher ground and accepting the fact everyone’s truth isn’t a white picket fence, she continues defying labels as she defines the thinking person’s life.

“Right now, my stuff is all in storage,” she says of her state of constant motion. “I’ve lived in a lot of different places – different countries even. It’s a little overwhelming, keeping track of stuff, but it’s been an amazing trip because music has taken me places I never dreamed.

“I’m the same way with writing. Even when I’ve finished a record, or am in the middle of recording, I’m writing. Writing songs is what I do; it’s how I connect with the world.”

That sense of motion infuses Edgeland with immediacy. From the Buck Owens/Don Rich opening notes of “Red Line,” the dusky blond sweeps listeners up in her whirl. If “Red Line” is a missed train and a moment of immersion in the station, “The Get Together” shimmers with a Laurel Canyon lushness and ease in the awkward (that evokes J.D. Souther’s post-romantic midtempos) and “Can’t Seem To Let You Go” owns the ‘60s Merseybeat pop luxury of the Seekers or Dusty Springfield in Memphis. Demonstrating a facility for slipping in and out of oeuvres and emotions, this – in many ways — culminates her passage through music.

Kim Richey is a traveller, after all. Musically, physically, emotionally. Not merely restless or rootless, it’s who she is. Willing to follow where the music leads, she’s landed in Los Angeles, Nashville, London, working with a who’s who of producers – Richard Bennett, Hugh Padgham, Bill Bottrell, Angelo, Giles Martin. She’s attracted a coterie of top-shelf genre-definers — Jason Isbell, Trisha Yearwood, Chuck Prophet, My Morning Jacket’s Carl Broemel, Wilco’s Pat Sansone – for her critically-lauded projects. She has also sung on records for Ryan Adams, Shawn Colvin, Isbell, and Rodney Crowell.

Part of what draws them to the dusky honey of her crystalline alto is the way she writes: to and from the soul, never flinching from the conflicts and crushing moments, yet always finding dignity and resilience. Her arc of the human heart is true. True enough that over the years, Richey’s been both Grammy nominated. Nominated for Yearwood’s truculently groove-country “Baby, I Lied,” she also co-wrote Radney Foster’s #1 “Nobody Wins.”

“Harlan Howard said – and maybe I’ve taken it too much to heart, ‘It’s always more believable if you sing it in the first person.’ And when I sit down to write, if it’s something I’m going to sing, I want it to be what I want it to be. I don’t really settle, which may make me a little hard to write with. But I have to be able to stand up and sing it night after night, and I can’t if I don’t really believe it.”

Those standards made Glimmer one of TIME’s Top Records of 1999 and Rise named People’s Best Alt-Country Record of 2002. Even when singing from the point of view of a guy working on a barge going up and down the Ohio River in “Dear John,” her aim is true. As she says of the man refusing to read the letter that ends his romance, “because if I don’t read your letter, then it’s not over. Sometimes these songs are specific and personal, but it’s also true in ways that reflect so many other people’s experience, too.”

Sometimes Richey channels profound truths. Sometimes she embraces breezy freedom. “Leavin’ Song,” a rambler’s shuffle, is more about tasting the world than exiting a bad situation. As its chorus offers, “This ain’t no leaving song, you ain’t done nothing wrong” over an electric banjo and Resonator guitar, Richey finds the sweet spot in exulting for just being alive.

Once again, Richey has drawn a multitude of collaborators who rival her own singular voice. Veteran journeymen artist/writers Chuck Prophet, Maendo Sanz, Mike Henderson (Steeldrivers), Bill Deasy (the Gathering Field), Pat McLaughlin (John Prine) and Al Anderson (NRBQ), plus Aussies Jenny Queen and Harry Hokey co-sign on these musical polaroids from the going, the leaving, and the pausing.

“I’ll be doing an interview, and people will say, ‘You co-write a lot…’,” she marvels, “like it’s a bad thing. But it’s inspiring to me, and takes me in other directions, to other places. The people I write with are funny, and smart, and a blast to hang out with, but they’re also really good writers in their own right. Nobody’s pandering or chasing ‘a hit,’ we’re all just trying to get to the best possible song.”

Whether growing up, owning and relinquishing high times in the sleek “Chase Wild Horses,” echoed in the ether-lite, percussive folk “High Time,” then jettisoned on the smoky acceptance of her own flawed inability to be in a romance on the Western-tinged on “I Tried,” the woman from Ohio makes our natural selves both exotic and homey.

Richey enlisted producer Brad Jones, known for Over the Rhine, Josh Rouse, Butterfly Boucher, Hayes Carll and Marshall Crenshaw, in crafting an adult album that evokes and provokes musically. “I wasn’t sure at first if we’d be a good combo because he has such strong opinions, and I do, too. But it was (laughter) the easiest record I’ve ever made. He has really different ideas, and it’s nice to have somebody push you in a direction you might not have gone – and have them respect your opinion, too. I really loved working with Brad.””

With three different tracking bands, Edgeland is a who’s who of Nashville’s roots players: beyond co-writers, steel player Dan Dugmore, drummer Jerry Roe, multi-instrumentalist Sansone, guitarist/various stringed thing players Doug Lancio and Dan Cohen, string arranger Chris Carmichael and Robin Hitchcock all contribute to the bewitchery.

“So many of these guys produce and make records on their own,” she marvels. “I’m open to collaboration, too. These songs wouldn’t sound the way they do without these players.”

The noir-slink of “Pin A Rose,” a cautionary told-you-so tale of domestic abuse’s repeat cycles, the neo-madrigal “Not for Money or Love,” inspired by the father Richey lost at 2, and the Mellotron-tinged austerity of “Black Trees,” finished after a few years gestation during a residency at the Banff Centre for the Arts Colony and expanded to consider a refugee’s fortunes, all seek and explore. Here melody reinforces words, feelings, even interpersonal dynamics. Simplicity – as executed – breaks complicated things into evocative clouds that seep into the listeners unconscious.

“It’s a lot easier to say something in a song than in a conversation,” allows the easy-going grown-up. “And it’s not all about me, but the people in the songs. Even the stuff you leave out says something, so you’re creating on so many layers. And sometimes I don’t know where it comes from, just some other place.”

Listening to “Whistle On Occasion,” the Everly-esque closer duet with Prophet, Richey owns one’s place in the world. Here, there, going or gone, that’s all anyone can ask.

Holly Gleason

JOSH ROUSE

JOSH ROUSE

Never one to ignore the call of his muse, Rouse traded in his trusty acoustic guitar for a synthesizer, a move that quickly pulled him in a slew of exciting, unexpected directions as he found himself freshly inspired by the endless array of possibilities at his fingertips. Where ‘Embers’ was a deeply personal, countrypolitan contemplation on identity and anxiety, the new material that poured out of him was breezier and more carefree, crafted with an 80’s-inspired sonic palette that complemented the shift from somber introspection to more playful observation. The end result, ‘Love In The Modern Age,’ is an album that still bears Rouse’s distinct fingerprints, even as it pushes his limits and forges a bold new chapter more than twenty years into his celebrated career. 

Hailed as “a talent to outrank Ryan Adams or Conor Oberst” by Uncut and praised for his “spare and easy sounding guitar songs” by NPR, Rouse first emerged in 1998 with his debut album, ‘Dressed Up Like Nebraska,’ which Billboard called a “dark horse gem.” Over the next two decades, he’d go on to release a steady stream of critically lauded records that would solidify his status as one of the his generation’s most acclaimed songwriters, both in the US and Europe, where he’s lived on and off since 2004. Q called his breakout album, ‘1972,’ “the most intimate record of the year,” while Rolling Stone dubbed his follow-up, ‘Nashville,’ “a landmark album,” and EW described 2013’s ‘The Happiness Waltz’ as “a big contender for Rouse’s best work.” In 2014, Rouse won a Goya Award (the Spanish equivalent of an Oscar) for best song for “Do You Really Want To Be In Love,” from the film ‘La Gran Familia Española.

As he began work on ‘Love In The Modern Age,’ Rouse was caught in a moment of international limbo. He was ready to relocate from Spain back to Nashville with his family, but his wife’s green card process was stretching out interminably. As they awaited news from the US government, their Tennessee home sat empty for more than a year, and Rouse found himself making regular trips across the Atlantic to check in on the property.

“I started working on songs with my old friend and writing partner Daniel Tashian on those trips,” Rouse explains. “I’d just finished reading Sylvie Simmons’ great Leonard Cohen biography, ‘I’m Your Man,’ and it got me really into Cohen’s synthier records. I told Daniel that I thought it’d be fun to write some stuff in that vein, so we’d start with these moody soundscapes, and then I’d write lyrics on top of them.”

Inspired by Cohen and cult heroes The Blue Nile, as well as the English bands Rouse grew up listening to like The Cure and The Smiths, the songs were cinematic and enveloping. Each track created its own entrancing world out of dense synthesizer textures and shimmering electric guitar lines. While many of his previous albums were recorded with a full band performing live in one room, Rouse built up the tracks on ‘Love In The Modern Age’ a layer at a time, recording the majority of the instruments himself between Spain and Nashville.
in me that wouldn’t have happened with just an acoustic guitar.”

Much like love in our modern age, the album is defined by the coming together of those physical and digital worlds. Underneath it all, though, lays the same endless search for human connection that drives each and every one of us. Times may change, but the song remains the same.

Jun
24
Mon
Country Music Monday at Hattie’s
Jun 24 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jun
29
Sat
Little Lesley & the Bloodshots | Jason Moss & the Hosses | Wes & the Railroaders
Jun 29 @ 8:00 pm – Jun 30 @ 12:00 am


Little Lesley & The Bloodshots
Little Lesley & the Bloodshots light up the stage with their soulful twang and captivating songs. Hailing from New York City and South Carolina’s upstate, they’ve been making waves and making friends around the world with their honest approach to American Roots music.
http://www.thebloodshots.com

Jason Moss and The Hosses
Carolina Honky Tonk

Wes and The Railroaders
Meet Wes And The Railroaders! Charlotte, North Carolina’s, newest country-rock quartet, led by Wes Hamilton of the defunct alt-country band Pullman Strike.

MICHELLE MALONE & SARAH PEACOCK: Kickin’ and Singin’ Tour
Jun 29 @ 8:00 pm
MICHELLE MALONE

MICHELLE MALONE

‘While the vocals and songs on Slings and Arrows are outstanding, the slide guitar work is the real revelation. ” – NO DEPRESSION

Michelle Malone’s musical roots run deep and wide like the mighty Mississippi river, twisting and turning through rock, blues, and alt-country music territory. She is ‘a master at mixing blues and Americana music” (GUITAR PLAYER MAGAZINE). Over the course of Malone’s career, she has shared stages with artists from Gregg Allman to Indigo Girls, SugarLand’s Kristian Bush to Brandi Carlisle, Mississippi All-Stars Luther Dickenson to ZZ Top, released more than a dozen records, and went indie when it still took guts. Her powerful live show will take you on a journey from red dirt back roads to bright city lights, whether she’s solo acoustic in a living room concert or in a big arena backed by her band. She ‘has the soul of a bluesman, the heart of a folk singer, and the guts of a rock and roll star wrapped up in one fiery bad ass’ (NASHVILLE RAGE), and she’s determined to bring the masses back together in the name of love and music with her latest, Slings and Arrows.

SARAH PEACOCK

SARAH PEACOCK

1.2 million miles, 2,800 shows, and fourteen years of flying solo is quite a road trip. Sarah Peacock bridges gaps between Country, Blues, Americana, and Rock-N-Roll. Her music is raw, truth telling, and fiercely unique. 

Held hostage by her record label at 21, the troubadour life came with a rude awakening for the young Georgia native. Peacock made her home in a ‘92 Volvo with her dog and a guitar, and for nearly seven years earned a living in the corner shadows of American dive bars. 

The tables turned in 2011 when an anonymous fan helped Peacock buy out of her recording contract. Since then, she has released six additional albums and won multiple awards for her songwriting. “Hurricane” won Best Song in the American Songwriting Awards, and “Beautiful” was a winner with International Unsigned Only. “The Cool Kids,” and “Are We There Yet” have nominated her for Best Female Artist and Best Song in a number of songwriting competitions. Peacock was also named Listening Room Network’s Artist of the Year. 

In 2013, Peacock released her self-produced album, Albuquerque Sky, recorded in hotel rooms across the country while maintaining her rigorous 250 show tour schedule. Albuquerque Sky was followed by a season of goodbyes, tremendous growth, and challenges, and became the catalyst for her next album, Dream On (2016). “This record helped me get un-stuck. I had a collection of live recordings which became Dream On. After such a creative dry spell, I knew I needed to hit the road and stay out a while – reconnect with my fans,” says a determined Peacock. “I found this old silver eagle tour bus in Austin, TX. I was so enchanted with it, and the renovation process really reigniting my troubadour flame. So I bought my very first bus. Oh, what a feeling!” But less than 4 months later, she would watch it burn to the ground at a California truck stop. 

One of Peacock’s fans voluntarily initiated a fundraiser, which is what kept her on the road. Another fan, so touched by her story, donated his motor home so that her tour could go on. That special connection between Sarah Peacock and her fans is what gives her the strength to continue overcoming. “You have to be unstoppable, even when you don’t believe you are.” That’s the modus operandi for the now half Tennessean, half Texan road warrior. 

Sarah Peacock is active in the anti-bullying community, and her song, “The Cool Kids” has become a powerful anti-bullying anthem. Its message has taken on a life of its own. As she travels the country, Peacock shares her story in schools, empowering young people to embody her message of kindness and love. 

Peacock is also an animal lover and tours with her pups as often as she can. Her late road dog, Gibson, was one of the first canines to receive a prosthetic mitral valve in a clinical trial at CSU in Ft. Collins, CO in May of 2017. Unfortunately, Gibson passed away. To honor his memory, Peacock recently formed her own 501(c)3, The Band Waggin,’ benefiting various animal health and rescue programs throughout the United States. 

After completing two EP’s for Nashville label, American Roots Records, Peacock plans to release a full length album on her own label in 2019. Sarah Peacock is the truest definition of a self-made overcomer, hustler, and DIY machine. She’s got a remarkable knack for finding beauty in the ashes, and there’s no denying the future is looking bright for this tenacious up and comer.

THE BARBED WIRES
Jun 29 @ 9:00 pm
Bill Noonan and The Barbed Wires are Country and Western traditionalists with rock and roll tendencies: they play old fashioned C&W with a reverence for the roots, and a dynamic creative spirit. Their approach can be compared to other bands that have explored the border of C&W and rock and roll: from way-back influences like the Byrds and Gram Parsons to more contemporary acts such as the Derailers and the Hacienda Brothers. The Barbed Wires combine an extensive repertoire touching on C&W, bluegrass, blues, and rock and roll with Noonan’s catalog of top-notch original tunes. Noonan is known as former leader of the Rank Outsiders, regional favorites in the 90s and early 00s. His more recent work is reflected on two solo albums Catawba City (2006) and The Man That I Can’t Be (2009). All of the Barbed Wires: Bill Walpole (steel guitar), Joe Williams (bass), Lee Sharpe (drums) and Chris Chandek Peace (guitar) are long-time veterans of the Carolina music scene, known among players and fans alike for their musical versatility, and their energetic and highly entertaining live performances.
 
The band lineup has really just come together since the first of this year, with Lee Sharpe (Leebo) coming on board on drums, and Country Bill (Walpole) back in the mix. Chris Peace is doing a great job on guitar and harmony vocals, and there is nobody more solid than JoeW (Williams) on bass. It’s a great bunch of guys, and everybody really loves to play, so we’re excited about the possibilities…so many tunes, so little time. Leebo and Joe have been playing around town forever, but our musical circles did not overlap until fairly recently. Chris was one of my guitar students back in the 80s, he played in Sugarsmack in the 90s, but then left music for quite a few years…we reconnected about the time my last CD came out 2 years ago. Country Bill has been one of my very best compadres for many years…he played with Lenny Federal and the Federal Bureau of Rock and Roll back in the day, and we had an act for a while in the early 00s called Country and Western Bill…we hadn’t done much together over the past couple years, so it’s great to have him back on board in the Barbed Wires.
Jul
1
Mon
Country Music Monday at Hattie’s
Jul 1 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jul
8
Mon
Country Music Monday at Hattie’s
Jul 8 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jul
10
Wed
John Baumann
Jul 10 @ 7:30 pm
John Baumann

John Baumann

Hard-working, creative, and possessed of admirable humility and good humor, John Baumann likely would have seen success in whatever field he chose to ply his talents. Fortunately for listeners who love country music graced with a literary eye for detail and poetic charm, he made the bold choice to try his hand at singing and songwriting. 

A San Antonio native who has also called Amarillo, Lubbock, Fort Worth, and now Austin his home at some point or another in his young life, Baumann tinkered with the mechanics of songwriting in between college and day jobs for several years before making the leap of faith to record a debut EP West Texas Vernacular in 2012. Released with little fanfare, it still emboldened him to piece together a band and hit whatever stages would give him the chance. The personable young musician honed his craft on the way up, making connections within the business (not to mention with thousands of fans) en route to releasing his full-length 2014 album High Plains Alchemy and landing coveted opening slots at some of the state’s most revered venues. At Gruene Hall, Floore’s Country Store, and the Nutty Brown Amphitheater, among many others, he has shared the stage with red-hot headliners like the Turnpike Troubadours and the Randy Rogers Band. 

As Baumann’s music came into its own – a follow-up 2015 EP, Departures, garnered him some radio play for new signature songs like “Bay City Blues” and “Vices” – a clearer picture of what he is going for has emerged. Like his heroes including Texas songwriters Robert Earl Keen, James McMurtry, and Adam Carroll, he has cultivated a gift for near-journalistic lyrical detail, leavened with humor and spiked with heartache. His songwriting talents have garnered co-writes with artists including Pat Green, Cory Morrow and Wade Bowen that he was once content to just enjoy on a fan level: not insignificantly, Morrow included three co-writes with Baumann on his recent album The Good Fight. Even the country music mainstream took notice: Baumann’s poetic “Gulf Moon” was on hold for a platinum-selling country artist for several years before a last-minute change of direction handed him a rare disappointment in a still-new career that has otherwise been steadily on the rise. 

Still, 2016 was overall a solid year, including a run of shows opening for Texas music’s ultimate hero Willie Nelson and laying the groundwork for what should be a much-anticipated 2017 full-length album. With his growing crowd of fans, peers, and even a few musical forefathers rooting for him, John Baumann has become one of the newest worthy links in the long chain of ambitious, progressive, and relatable artists that plays the singer-songwriter-performer game by their own rules.

Jul
11
Thu
The Wood Brothers
Jul 11 @ 7:30 pm – 10:00 pm

“It’s the freest album we’ve done, the most independent album we’ve done, and was the most fun we’ve ever had making a record,” says Oliver Wood. “And most importantly, this is the most purely Wood Brothers’ album we’ve ever made.”

Indeed, The Wood Brothers’ sixth outing, ‘One Drop of Truth,’ dives headfirst into a deep wellspring of sounds, styles and influences. Whereas their previous outings have often followed a conceptual and sonic through-line, here the long-standing trio featuring brothers Oliver and Chris Wood along with Jano Rix treat each song as if it were its own short film. The plaintive, country-folk of the album’s opening track “River Takes The Town” gives way to the The Band-esque Americana soul of “Happiness Jones.” The wistful ballad “Strange As It Seems” floats on a cloud of stream of consciousness, standing in stark contrast to “Sky High”—a Saturday night barnburner built upon stinging slide guitar funk. “Seasick Emotions” is rife with turmoil, yet “Sparking Wine” is jaunty and carefree. The end result is undeniably The Wood Brothers’ most dynamic recording to date.

Jul
12
Fri
Erin Enderlin w/Justin Clyde Williams
Jul 12 @ 7:30 pm
Erin Enderlin

Erin Enderlin

The last few years have been especially busy for singer-songwriter Erin Enderlin. While she first turned heads as a godsend to those aching for an artist with some golden-era country backbone, Enderlin’s acclaimed 2017 record Whiskeytown Crier cemented her as something even more: a literary songwriter and superb vocal stylist with a knack for sharply drawn––and often sad––characters. Named a member of the 2018 CMT Next Women of Country class and recipient of the Arkansas Country Music Awards Songwriter and Album of the Year trophies, she has surged to the forefront of new artists rooted in the genre’s rich history. Enderlin is also a go-to writer for stars looking for heavyweight country with classic panache––Alan Jackson’s “Monday Morning Church,” Lee Ann Womack’s “Last Call,” Luke Bryan’s “You Don’t Know Jack” and a host of other songs recorded by Randy Travis, Joey + Rory, Reba McEntire, Terri Clark, Whisperin’ Bill Anderson, and more are all Enderlin-penned. 

In a twist that stretches the possibilities of storytelling through song, Enderlin plans to release four EPs throughout 2019, with each three-track collection driven by a single character. The first EP, Chapter One: Tonight I Don’t Give a Damn, is slated for release April 26. “I’m obsessed with characters, and the idea of being able to take that to the next level really appeals to me,” she says. “It’s ambitious,” she says with a laugh before adding, “but I do think it’s going to be something really cool.”

Justin Clyde Williams

Justin Clyde Williams

Armed with six strings or backed by a full band, Justin Clyde Williams takes listeners on an emotional journey through his own personal encounters, telling stories with his songs. Growing up surrounded by dobros and banjos in the foothills of western North Carolina, his tale is one many can relate to regardless of where they call home. Tough times, rebellion, love, heartbreak and a resilience hardened by military service, crowds are immediately drawn to his unique sound and penetrating lyrics that dig much deeper than three chords and the truth.

Injecting a fresh perspective and unwavering commitment to situations some shy away from, Justin Clyde Williams attacks these issues head on without hesitation. Connecting with audiences in a way most only dream about, his levels of persona are quickly navigated as the songs strike a feeling similar to an inspiration for being the, “Life of the Party”.

Raised from Jones to The Stones, his own musical journey involved consuming classical guitar and heavy metal but always leads back to the sounds born in the Carolina hills. Justin Clyde Williams always leaves people wanting more with an unwavering experience that is blunt, therapeutic, candid and above all – unforgettable

Jul
15
Mon
Country Music Monday at Hattie’s
Jul 15 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jul
18
Thu
Max & Heather + Stalling and Rob Baird
Jul 18 @ 7:30 pm
Max Stalling

Max Stalling

Max & Heather Stalling are a singer-songwriter duo based out of Dallas, TX. Max handles rhythm guitar and lead vocals and Heather provides fiddle and harmony vocals. Their collaboration has been a long time in the making and they are excited to bring their show to new audiences.

Heather is an award-winning violinist and fiddle player who picked up her instrument at 3 years old and has never stopped playing it since. As a child she traveled with her parents across Texas and the surrounding states competing in fiddle contests. As a teenager she moved to Branson, MO to be a member of the “The Texas Gold Minors”. They performed 7 days a week for two straight years. Upon returning home she took side jobs playing for various touring acts to include Johnny Lee, Cory Morrow, Bob Schneider, Ed Burleson, Mark David Manders and The Old 97s. In 2005 she put together her own project, blactopGYPSY, released two full length studio albums and toured relentlessly until the lead singer (and her best friend) became gravely sick.

Max followed a slightly different path into the music business. He has a master’s degree in horticulture from Texas A&M University and left a day job as a research scientist for snack food giant Frito Lay to pursue a fulltime career as a songwriter. He has 6 studio albums and two live projects including a full-length DVD. He is a staple in the Texas/Red Dirt scene as well as having chart-topping history in the Americana radio format. He has a star on the South Texas Music Walk of Fame and is a former member of the Board of Governors for the Texas Chapter of NARAS. In addition to solo and duo shows, Max travels with a five-piece band and does 150+ shows annually. Of recent, Heather has been playing with Max’s band after her band’s lead singer fell ill. 

Max & Heather were married in 2007 and are now finally finding that the timing is right for them to do a project together. 
While they perform the occasional song they have written together as well as a handful of cover songs, the bulk of the show is songs that Max has written in his 20+ year career as a performing singer-songwriter. First-time listeners can expect a fun and witty show balanced between solid original songs, amazing fiddle playing and fun banter.

 
Rob Baird

Rob Baird

A gambler of wit, Rob Baird spins lyrical luck in his fourth record, ​After All​to find out what happens when you go looking for yourself in someone else. In the 2019 follow-up to his third 2015 record, ​Wrong Side of the River​, Memphis-bred Baird smashes right into heartache, chasing losses just to end up winning back the love he never knew he was looking for.

“For me, until you get your heart broken as an adult, you don’t really know how to write anything meaningful. You can make it up…that works for a little while. I’m not saying you have to be completely unhinged to make music, but I think you do have to know what it feels like to be completely vulnerable,” explained Baird of the record. “Every emotion you feel in a breakup — anger, anguish, disappointment, lust — you’ll feel it as you listen.”

Recorded straight to tape, at Battletapes, an East Nashville studio under the direction of Jeremy Ferguson (Cage The Elephant, Andrew Combs, Lucie Silvas) — ​After All combines the known with the unknown applying new processes with familiar relationships. Produced by long time friend and collaborator, Rick Brantley who did time on Music Row as well as in the trenches with the likes of John Hiatt and Brandi Clark; Texas-based musicians’ Austin ‘Woodrow’ Morgan and Z Lynch, After All brings together a depth of sound only musicians playing together for a decade can make. According to Woodrow: “We’ve gone from hating each other to living together to playing together so much that we hated each other all over again. Somewhere along the way we figured out how to grow up and now after so much time spent talking about it, we have finally made a record together.”

Drawing inspiration from Lucinda Williams’ tender melodies to the raw chords of James McMurtry, Rob surrounded himself with the sounds and souls that have known him best to make his latest album. Shaped serendipitously and with the help of friends Burleson Smith, David Beck and Brian Douglas Phillips, the songs were crafted over a couple years at a kitchen table in Austin.

The material gnaws on the hard truths that heartbreak surfaces. The title track, “After All,” an ironically light-hearted start for the relationship roadtrip it confesses. Rob sings of the road less travelled in “Losing Hands,” admitting you can’t be made whole when your down this low. With the song, “Devil Woman Blues,” Rob illustrates a series of

seductive vignettes that tackle faded dreams of innocence. “Greedy Eyes” alludes to the infallible realities that come with making promises no man can keep. In “I Tried,” Baird takes you on a haunting journey of the self-realization that comes when you’ve risked everything and put too much of you into us. To wrap up the record, “Best That I Was” intentionally drags out closure to the relationship rollercoaster you’ve been on. The entire record is like a handshake with heartache that ends in a hopeful goodbye bringing warmth to a cold shoulder lover.

“It’s my fourth record and after ten years of recording I have — through luck and shear persistence, surrounded myself with the right people. It’s these people, living these songs with me one-by-one, note-by-note. These people living this album with me that have brought an honesty I wouldn’t have found on my own.”

The more you listen to ​After All, ​the more you hear the depth of gray that lies between the black and white lines of love, “thank God I got out of my own way and back to my roots,” shares Baird.

Throughout the last decade playing and writing songs, Rob’s mastered the art of skating as close to the truth as you can without sinking the ship. It’s hard to make an album come alive with each listen and Rob’s done just that with ​After All​— and not by mistake.

Jul
22
Mon
Country Music Monday at Hattie’s
Jul 22 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jul
26
Fri
CALEB CAUDLE
Jul 26 @ 7:00 pm – 10:00 pm

Growing up in Winston-Salem, North Carolina, singer-songwriter Caleb Caudle was raised on rock n’ roll and Southern hospitality. Influenced by bands like The Clash and Velvet Underground, Caudle was playing North Carolina’s punk rock circuit by the age of 15. Naturally, his music matured with his age and he became more lyrically driven, adopting a love for collecting vinyl. In 2012, he decided to quit his day job and focus solely on music — five years and four albums later, Caudle is gaining the traction he deserves. He was recently dubbed “the musical equivalent of high-proof bourbon – rich in flavor, with a subtle, satisfying bite,” by Rolling Stone editors for their list of “10 New Country Artists You Need To Know”. He’s played Nashville’s famed AmericanaFest multiple times and his song, “Borrowed Smiles” was featured on last season’s dramatic season finale of CMT’s Nashville. And as 2018 approaches, he’s not slowly down; he’s on the lineup for the 11th Annual Cayamo, the musical cruise that travels from New Orleans to Cozumel, Mexico, and Belize, next to icons like John Prine, Buddy Miller, Brandi Carlile, Patty Griffin, and Lee Ann Womack. And most importantly, he’s gearing up to release his eighth and most refined album yet, Crushed Coins.

EVENT DETAILS:

  • When: Friday, July 26
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: This event will proceed rain or shine
Jul
29
Mon
Country Music Monday at Hattie’s
Jul 29 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Aug
5
Mon
Country Music Monday at Hattie’s
Aug 5 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Aug
12
Mon
Country Music Monday at Hattie’s
Aug 12 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Aug
19
Mon
Country Music Monday at Hattie’s
Aug 19 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Aug
26
Mon
Country Music Monday at Hattie’s
Aug 26 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Sep
2
Mon
Country Music Monday at Hattie’s
Sep 2 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Sep
9
Mon
Country Music Monday at Hattie’s
Sep 9 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Sep
16
Mon
Country Music Monday at Hattie’s
Sep 16 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Sep
18
Wed
Keb’ Mo’ – Solo Acoustic
Sep 18 @ 7:30 pm – 10:00 pm

Over the years, Keb’ Mo’ has proven that he is a musical force that defies typical genre labels. Album after album, 14 in total, garnered him 4 GRAMMY awards and a producer/engineer/artist GRAMMY Certificate for his track on the 2001 Country Album of the Year, Hank Williams Tribute — Timeless. Over the past two decades, Keb’ has cultivated a reputation as a modern master of American roots music through the understated excellence of his live and studio performances.

In 2017, Keb’ Mo’ released TajMo, a collaborative album with the legendary Taj Mahal. The multigenerational duo went on to tour the US and Europe in support of their album; which has since earned a GRAMMY Award for Best Contemporary Blues Album.

‘Life Is Beautiful’ Keb’ Mo’ Meet & Greet Experience

  • One (1) premium reserved seat in the first (5) rows
  • Meet & greet / photo opportunity with Keb’ Mo’
  • One (1) merchandise gift autographed by Keb’ Mo’
  • Dedicated and early venue entry for merchandise shopping
Sep
21
Sat
Rodney Crowell: The TEXAS Tour
Sep 21 @ 8:00 pm – 10:00 pm

With more than 40 years of American roots music under his belt, Texas native RODNEY CROWELL is a two-time Grammy Award winner with five Number One hits of his own and a legacy of songwriting excellence which has made him an icon among giants. With strong roots in country music, Crowell has written chart-topping hits for the likes of Emmylou Harris, Johnny Cash, Waylon Jennings, Keith Urban and more. But owing to the distinctly universal, literary quality of his writing, has also penned beloved songs for artists as diverse as Bob Seger, Etta James, the Grateful Dead, John Denver, Jimmy Buffett and countless others. A member of the Nashville Songwriters Hall of Fame, Crowell is also the author of the acclaimed memoir, Chinaberry Sidewalks, and teamed up with New York Times best-selling author Mary Karr for Kin: Songs by Mary Karr & Rodney Crowell in 2012, with Karr saying of her collaborator, “Like Hank Williams or Townes Van Zandt or Miss Lucinda, he writes and croons with a poet’s economy and a well digger’s deep heart.” Crowell was honored with ASCAP’s prestigious Founder’s Award in 2017, and that same year released the album Close Ties, which spawned another Grammy nomination for “It Ain’t Over Yet” with Rosanne Cash and John Paul White in the category of Best Americana Song. In 2018, he opened his own record label, RC1, and released his Acoustic Classic project. His new album TEXAS will be released on August 15, 2019.

Sep
23
Mon
Country Music Monday at Hattie’s
Sep 23 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Sep
30
Mon
Country Music Monday at Hattie’s
Sep 30 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Oct
7
Mon
Country Music Monday at Hattie’s
Oct 7 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Oct
14
Mon
Country Music Monday at Hattie’s
Oct 14 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Oct
21
Mon
Country Music Monday at Hattie’s
Oct 21 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Oct
28
Mon
Country Music Monday at Hattie’s
Oct 28 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Oct
30
Wed
Jimmy Webb
Oct 30 @ 7:30 pm – 10:30 pm

A true living legend of songwriting, Jimmy Webb’s been crafting amazing songs, many of which have become cherished standards, for some forty years. And he’s still doing it.  Now on tour with his newest CD, “Still Within the Sound of My Voice” Jimmy Webb is engaging his audiences like never before. Though some might still not know his name, they know the songs: “Wichita Lineman,” “By The Time I Get To Phoenix,” “Galveston,” “The Moon’s A Harsh Mistress,” “All I Know,” “The Highwayman,” “Up, Up and Away,” “MacArthur Park,” and many more. And those are just the famous ones. Webb is one of those rare songwriters who manages to bring a genuine measure of magic to everything he touches.

He’s a prodigious performer, and a night with Jimmy at the keys is not unlike getting to hear George Gershwin or Cole Porter live. It’s hard to believe one guy could have written all these amazing songs. Webb is still at it, thankfully, and if you get a chance to see him live, grab it. People ask why nobody writes songs like they used to. Fortunately for us all, Jimmy Webb still does.” -American Songwriter Magazine

“Mr. Webb is a superb natural melodist whose best songs often combine the tuneful directness of country music with the unabashedly romantic harmonic palette of classic Hollywood film scores.” – The New York Times

Nov
4
Mon
Country Music Monday at Hattie’s
Nov 4 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Nov
11
Mon
Country Music Monday at Hattie’s
Nov 11 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Nov
18
Mon
Country Music Monday at Hattie’s
Nov 18 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Nov
25
Mon
Country Music Monday at Hattie’s
Nov 25 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Dec
2
Mon
Country Music Monday at Hattie’s
Dec 2 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Dec
9
Mon
Country Music Monday at Hattie’s
Dec 9 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Dec
16
Mon
Country Music Monday at Hattie’s
Dec 16 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Dec
23
Mon
Country Music Monday at Hattie’s
Dec 23 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Dec
30
Mon
Country Music Monday at Hattie’s
Dec 30 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jan
6
Mon
Country Music Monday at Hattie’s
Jan 6 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jan
13
Mon
Country Music Monday at Hattie’s
Jan 13 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jan
20
Mon
Country Music Monday at Hattie’s
Jan 20 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager

Jan
27
Mon
Country Music Monday at Hattie’s
Jan 27 @ 7:00 pm

Some people listen to everything ‘but country’ – this night is not for them.

Come hang out at Hattie’s every Monday for Country Music, Boots, Bolo Ties, Belt Buckles and Jorts. The last Monday of every month is Karaoke Country Music Monday.

Drink Specials
$4 Kentucky Gentleman
$2 12oz Bush Light, Natty Light and Narragansett Lager