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Jun
27
Thu
EMPIRE STRIKES BRASS
Jun 27 @ 7:00 pm – 10:00 pm

Empire Strikes Brass (ESB) is a high energy Brass-Funk-Rock band hailing from the city of Asheville, North Carolina. Formed on the streets of their hometown, ESB is rooted in the New Orleans Brass Band tradition of second-line parades and deep moving grooves reminiscent of old school funk. Combining complex musical arrangements with thoughtful lyrical song structure, ESB can stretch out and dig deep when they are feeling it or keep things tight and concise. The fat sound of the horns paired with one dirty rhythm section makes the music downright psychedelically nasty! Founded in 2012, ESB intentionally stretches the boundaries of the stereotypical brass band paradigm, fusing sounds from various genres and weaving them together with the common thread of Brass. The diversity of the music within their sets keep audiences guessing what is next to come.

Featuring rich group and strong lead vocals including Grammy Award winner Debrissa Mckinney (Secret Agent 23 Skidoo), ESB not only takes its audiences on a ride to the dark side and back instrumentally, they also use the force of soaring melody and lush harmony to transport the listeners to another dimension. The band released its debut album, “Theme For A Celebration” in 2017 and it was tapped as one of the top 100 album releases in 2017 by WNCW 88.7 radio. Since their conception, ESB has been a consistent fixture at various festivals throughout the east coast. They’ve had the pleasure of having Warren Haynes (Allman Bros. Band and Gov’t Mule) sit in with them at New Mountain Amphitheater in Asheville, NC and the honor of headlining four years in a row celebrating the life of Dizzy Gillespie in his hometown of Cheraw, SC, for the South Carolina Jazz and Heritage Festival. ESB has co-billed with such artists as Dr. John & Lettuce. The horns have sat in on performances with Galactic, The Big Something, and many others. ESB horn players JP Furnas, Paul Juhl and Alex Bradley are also featured on the live album compilation from world-renowned artists Beats Antique entitled “Creature Carnival” released in 2015. The band is known to regularly parade off stage into the audience leading the crowd in a raucous procession around the venue before, during or after their set.

EVENT DETAILS:

  • When: Thursday, June 27
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Jun
28
Fri
*repeat repeat
Jun 28 @ 8:00 pm

*repeat repeat

your favorite band’s favorite band. On their new album Glazed, *repeat repeat deliver a batch of songs entirely true to the album’s title: sugary and sticky and impossibly shiny, all glistening harmonies and candy-coated hooks. But beneath the gloss lies something more jarring and jagged, a raw vitality generated by the Nashville band’s buzzy rhythms and blistering guitar work. Fortified by the distinctly thoughtful songwriting of husband-and-wife duo Jared and Kristyn Corder, the result is an album that finds an unlikely power in irrepressible sweetness. The follow-up to 2017’s Floral Canyon, Glazed marks a period of major growth for *repeat repeat, who’ve spent the better part of the last few years touring, highlighted by a 2018 debut at the Bonnaroo Music and Arts festival that saw them lavishly praised by Rolling Stone, who hailed them as “Most Enthusiastic Rockers”. In bringing the new album to life, *repeat repeat worked closely with producer Patrick Carney (drummer for The Black Keys and producer for such artists as Arctic Monkeys, Black Lips, and Tobias Jesso Jr.), immersing themselves in a more rigorous songwriting and recording process than they’d ever attempted before. “Patrick was deeply involved in every aspect of the album, and it sparked this whole new level of creativity in all of us,” says Jared, who serves as lead vocalist, guitarist, and main songwriter for *repeat repeat. “He was adamant about pushing us and working on something until we got it exactly right. It was really challenging at times, but I think it taught us how to make the best song that we can possibly make.” In another monumental shift, Kristyn expanded her role far beyond anchoring *repeat repeat’s bold harmonies, playing keyboards, and directing the band’s design aesthetic, moving on to writing guitar parts and lyrics for the band. On lead single “Hi, I’m Waiting,” the increased depth of their collaboration reveals itself in tender expressions of affection, unfolding in swinging melodies and crunchy guitar riffs and lyrics capturing a quiet sensitivity (e.g., “You say when you want me/I want you when you do”). “So many love songs come from a place of demanding love, or feeling like it’s owed to you,” Jared points out. “I liked the idea of conveying a different romantic sentiment, especially as a straight white male—I mean, the least we can do as dudes is wait.” All throughout Glazed, *repeat repeat bring a certain defiance to their songs, a passionate refusal to let the world crush their optimism. With its dizzying textures and driving beat, “Head On” makes a glorious case for defining your own destiny. Darkly charged but no less exuberant, “Apocalyptic” finds the band facing a doomsday scenario with unabashed romanticism (“The idea behind that song is, ‘If this is the end of the world, let’s go down holding hands,’” notes Kristyn). And on “Pressure,” *repeat repeat lament the endless stresses of modern times, while their determined vocals and urgent guitar work speak to sheer indomitability. At the heart of Glazed is the kinetic tension that’s fueled *repeat repeat since the band’s inception; the wildly differing sensibilities of Jared (a former punk-rock kid raised on Bad Religion and Black Flag) and Kristyn (a California girl who grew up on the Beach Boys and the Mamas and the Papas). “This band is truly a combination of Jared’s most authentic and creative self and my most authentic and creative self, and how those two things combine to make something new,” says Kristyn. But despite their undeniable chemistry, the two initially had no intentions of forming a band together. Meeting soon after Jared moved to Nashville, the couple got engaged several months later, as Jared first set about getting *repeat repeat off the ground. It wasn’t until Jared teamed up with producer Gregory Lattimer and set to work on the band’s first album that Kristyn made her way into the lineup. “Gregory told me that the most punk-rock thing you can do is write a good love song, and I took that to heart and started writing all these songs about our relationship,” Jared recalls. “I knew I wanted a female singer in the band so I had Kristyn on a couple demos, and as soon as Gregory heard them he said, ‘I think you just found your girl singer.’ It all just took off from there.” Adds Kristyn: “ I have a performing arts degree, but being in a band isn’t an adventure I necessarily saw myself going on. Joining *repeat repeat has certainly made everything so much more fun, so maybe it’s something I was subconsciously moving toward the whole time.” Through the years, the duo’s singular dynamic has manifested in *repeat repeat’s magnetic stage presence, with Jared bringing a joyfully rebellious spirit and Kristyn channeling a subtle effervescence. “The music we make is really an extension of our life together,” says Jared. “A day on the road is no different from a day on our honeymoon.” To that end, the title to Glazed partly nods to a greeting card Jared gave to Kristyn on a recent anniversary. “It was a picture of donuts and the message said, ‘You’re a rainbow sprinkle in a sea of glazed,’” Jared explains. “I thought that was a really sweet sentiment, but there’s also a double meaning to it: the world right now has such a frenetic energy, and it makes people kind of glaze over after a while. We wanted to create something that takes you out of that reality—music that makes you feel hopeful and positive and empowered, and just completely leads with love.” photo: @kingsburyeyes / Jonathan Kingsbury

www.repeatrepeatmusic.com

 


TBA

Start Time: 8:00

DAMIEN JURADO with Corrina Repp
Jun 28 @ 8:00 pm
DAMIEN JURADO

DAMIEN JURADO

Spend any amount of time with Damien Jurado and he’s going to talk with you about movies. Speaking about the films that influenced his 14th album, the solitary masterwork In the Shape of a Storm, Jurado tosses out a list of favorites—American Graffiti, Paris, Texas, The Last Picture Show—films in which settings serve as silent, omniscient characters. But inquire about the curious way he writes songs, the hazy manner by which he seems to channel them from beyond the beyond, and the cinematic reference point he reaches for is a surprising one. “You ever see that movie Ghost? Whoopi Goldberg’s character, Oda Mae Brown—that’s who I am. These spirits are showing up at her door, jumping into her body. That’s how I feel. I don’t know what’s coming out of me…I just show up and deliver it.”

For more than two decades, Jurado has sung folk songs brimming with prophetic imagination. Whether singing ballads about killers, wounded lovers, UFO cults, or yes, the phantoms of departed friends, he’s populated his work with eerie foretelling, the sense that he’s divining something just on the verge of happening. He wrote his last record, 2018’s The Horizon Just Laughed as a goodbye letter to his home of Seattle, Washington, before he’d even decided to leave there for sunny Los Angeles. And while he recorded the ten songs featured on In the Shape of a Storm months before the passing of his longtime collaborator and close friend Richard Swift, it’s no coincidence that Swift’s death looms over the album. “His absence is very much felt on this record,” Jurado says.

Damien has always worked fast, but In the Shape of a Storm came together with unprecedented speed. Recorded over the course of two hours one California afternoon, it’s Jurado’s sparsest album to date. Gone are the thundering drums and psychedelic arrangements that defined the trilogy of concept albums he made with Swift. Gone even is the atmospheric air that hovered above his early albums for Sub Pop. Here, there’s only Jurado’s voice, acoustic guitar, and occasional accompaniment from Josh Gordon, playing a high-strung guitar tuned Nashville style, rendering its sound spooky and celestial. Though fans have long requested a solo acoustic album, the prospect never made sense to Jurado, until one day it simply did. “It just felt like it was time,” Jurado says. The idea of an unadorned album became its own medium in his mind, like a painter who sets down his brushes and instead opts for charcoal pencils instead.

“There is nothing left to hide,” Jurado sings on “Lincoln,” which opens the record. It’s something of a thesis statement for these songs. Everything here is clear and laid bare, two-tone, like the drawing Jurado crafted for the record’s cover. Originally written for 2000’s The Ghost of David, “Lincoln” was shelved and forgotten about until Damien came across it on an old cassette tape. The discovery inspired him to go about gathering up songs that had never found proper homes. As a result, In the Shape of a Storm is like an archive of previously abandoned songs. And yet, despite their disparate nature, Jurado’s visions hang together in curiously symmetrical ways: the moon shines in both the echo-drenched “Silver Ball” and closer “Hands on the Table”; rain ties the title song to the lilting “Oh Weather.” Jurado repeatedly returns to oceanic poetry—waves, tides, and shores—and to the theme of anchors, the metaphorical ones we use to tether ourselves to the sea floor and to each other. These are songs about the enormity of the unknown — the shape of storms that threaten to swallow us whole— and above all, they are songs about the connections that keep us from drifting away. “We are not meant to be on our own,” Jurado sings on “Throw Me Now Your Arms.”

Damien Jurado’s discography is filled with songs written as miniature movies, cinematic vignettes that capture people, the places they are from, and where they are going. In the Shape of a Storm is his first black and white picture. It’s both a snapshot of two hours in a California recording studio and a document spanning 19 years and a life of music. It is the sound of a singer pouring out possible futures and visions. “I believe songs have their own time and place,” Jurado says. For these ten, that time has finally come.

Corrina Repp

Corrina Repp

Specializing in sparse, fragile songs that favor the electric guitar, singer/songwriter Corrina Repp emerged from the music scene of Portland, Oregon in the late ’90s. After releasing her fourth album, 2006’s The Absent and the Distant, she focused on the indie rock band Tu Fawning (2007-2012) before reviving her solo career with The Pattern of Electricity in 2015. Repp has also acted in films and on television, including a recurring role on IFC’s Portlandia.

Settling in the Pacific Northwest after frequent childhood relocations, Repp began her career as a musician thanks to a part-time job. While selling band merchandise online, she connected with the Decemberists, who were so impressed by her songs that they recommended her to Hush Records. The label released her debut album, A Boat Called Hope, in 1998. The CD-R EP The Other of Mud materialized a year later. Repp followed up with the albums I Take on Your Days in 2001 and It’s Only the Future in 2004, both on Hush. After touring with the Decemberists, M. Ward, and Cat Power, among others, Repp released The Absent and the Distant on Mark Kozelek’s Caldo Verde label in 2006.

Putting her solo career on hold, Repp and musician Joe Haege formed the band Tu Fawning with Toussaint Perrault and Liza Reitz in 2007. They released a pair of albums for the City Slang label (2010’s Hearts on Hold and 2012’s A Monument) and toured throughout the U.S. and Europe. After Tu Fawning disbanded in late 2012, Repp took on several acting roles in small independent films and appeared on multiple episodes of the popular Portland-based sketch-comedy show Portlandia. In 2015, she resumed her solo career with her fifth LP, The Pattern of Electricity. It arrived via Caldo Verde. A joint release between sonaBLAST! and Jealous Butcher Records, How a Fantasy Will Kill Us All, followed in 2018.

LEON MAJCEN + BRYAN ELIJAH SMITH + SZLACHETKA
Jun 28 @ 9:00 pm

Leon Majcen is an acoustic singer/songwriter from Clearwater, FL, whose original songs are listened to on a daily basis by a national audience on SiriusXM’s The Coffee House channel.
Leon first got his start by playing at local open mic nights at coffeeshops and bars in the area. After writing his first song at only ten years old, he continues to write and produce his material while constantly developing his sound and image. With a rapidly growing fan-base, Leon humbly continues to pursue his passion by performing at various Tampa Bay locales and writing meaningful, heartfelt lyrics that relate to real life experiences of his and others around him.
With just his voice and guitar, Leon Majcen’s charming melody has drawn comparisons to the works of John Mayer and The Lumineers as well as Bob Dylan and Johnny Cash.

Bryan Elijah Smith

Their unique sound defined by their raw energy & Smith’s unbashedly genuine songwriting & voice makes this band one worth not only listening to but experiencing live. Completely independent of any outside label or management, they are a self-produced well oiled machine. They even wrote this bio.

Smith has opened for such acts as Nathan Moore, The Barr Brothers (at Rockwood Music Hall in NYC), Paul Curreri, Trent Wagler, Fastball, Emmitt-Nershi Band and Corey Smith (at Wilson Hall in Harrisonburg, VA). Smith has also jammed/performed with Steve Kimock, Zach Gill (of ALO & Jack Johnson’s band), Greensky Bluegrass, Brock Butler (of Perpetual Groove), Trevor Garrod & Reed Mathis (of Tea Leaf Green), Hot Buttered Rum and Pimps of Joytime on Jam Cruise 9 & 11. Smith has a catalog of over 500 original songs, has released 7 full legnth albums since October 2009 & has performed up and down the entire East Coast as well as in Roatan Honduras.

Smith & the Wilds Hearts have opened for Langhorne Slim & David Mayfield Parade (at The Jefferson Theater in Charlottesville, VA), Trampled by Turtles & Old Crow Medicine Show on the Dreaming Creek Main Stage at FloydFest X, Trevor Hall, Reverend Peyton’s Big Damn Band, Sons of Bill & The Steel Wheels.

The latest album, Turn It Up, was recorded like they did back in the 60’s. Released on October 3rd, 2012, ‘Turn It Up’ consists of 11 original Alternative-Americana tracks written & produced by Bryan Elijah Smith. The Wild Hearts, consisting of Jeff Miller on piano, banjo & vox, Justin Shifflett on drums & Tyler Reardon on bass, helped fuel the fire behind this record with their raw energy & distinguishable sound. Recorded, engineered & mixed by Bryan Elijah Smith at Empty Sound Productions in Dayton, VA. Mastered by Brian Lucey at Magic Garden Mastering (The Shins, Lera Lynn, The Black Keys, Ryan Bingham & Eric Clapton).

Szlachetka

The sophomore album from Rolling Stone “Artist to Watch,” SZLACHETKA (pronounced SLA-HET-KA) was released February 16, 2018. With its mix of modern Americana, 70s California rock, and singer/songwriter sentiments, Heart of My Hometown is a classic record for the contemporary world. Singer/songwriter Szlachetka co-wrote the 11 songs for his record while on the road—finding breaks during a busy two-year period that saw him playing roughly 400 shows. Traveling alone, he kept an eye on the world unrolling outside his car window. The sights, sounds, and stories he encountered along the way eventually found their way into his own music, resulting in a hook-filled, guitar-driven record about highways, homes, and the people who fill both. 

Years before he teamed up with Grammy-winning producer David Bianco (Tom Petty, Bob Dylan, Bruce Springsteen, Lucinda Williams) for the Heart of My Hometown sessions, Szlachetka was the frontman of acclaimed LA-based roots-rock band the Northstar Session. With the band, he recorded five albums and appeared in NBC’s TV series Parenthood. He began his solo career in 2014 releasing Waits for a Storm to Find. Three years later, Heart of My Hometown shines new light on Szlachetka as a singer, prolific songwriter, storyteller, and fiery lead guitarist. It’s an album whose touchstones include the charged roots-rock of Tom Petty and the warm, acoustic sounds of Jackson Browne. Szlachetka moves between both ends of that spectrum with ease, splitting his time between full-band anthems — including the riff-heavy ‘Until That Echo,’ co-written with Train’s Scott Underwood — and more intimate, acoustic moments like ‘Wildflowers on the Highway,’ featuring an appearance by duet partner Katelyn Clampett. The album’s title track rests somewhere in the middle, layering pop hooks and three-part harmonies into a nostalgic song about remembering one’s roots. It’s an album built for road trips, slow dances, wild Friday nights, and everything in between. 

Rolling Stone hailed Szlachetka as one of the 10 New Artists You Need to Know, describing his forthcoming album as ‘a soundtrack for both the highway and the heartland…a collection of road-dog roots-rockers and Americana ballads inspired by the people (and places) he’s left behind in the rearview mirror.’ Now based in Nashville, Szlachetka continues to tour nationally with a schedule that’s seen him open for Brandy Clark, the Byrds’ Chris Hillman, the Heartbreakers’ Mike Campbell, Brandi Carlile and more.

Jun
29
Sat
MICHELLE MALONE & SARAH PEACOCK: Kickin’ and Singin’ Tour
Jun 29 @ 8:00 pm
MICHELLE MALONE

MICHELLE MALONE

‘While the vocals and songs on Slings and Arrows are outstanding, the slide guitar work is the real revelation. ” – NO DEPRESSION

Michelle Malone’s musical roots run deep and wide like the mighty Mississippi river, twisting and turning through rock, blues, and alt-country music territory. She is ‘a master at mixing blues and Americana music” (GUITAR PLAYER MAGAZINE). Over the course of Malone’s career, she has shared stages with artists from Gregg Allman to Indigo Girls, SugarLand’s Kristian Bush to Brandi Carlisle, Mississippi All-Stars Luther Dickenson to ZZ Top, released more than a dozen records, and went indie when it still took guts. Her powerful live show will take you on a journey from red dirt back roads to bright city lights, whether she’s solo acoustic in a living room concert or in a big arena backed by her band. She ‘has the soul of a bluesman, the heart of a folk singer, and the guts of a rock and roll star wrapped up in one fiery bad ass’ (NASHVILLE RAGE), and she’s determined to bring the masses back together in the name of love and music with her latest, Slings and Arrows.

SARAH PEACOCK

SARAH PEACOCK

1.2 million miles, 2,800 shows, and fourteen years of flying solo is quite a road trip. Sarah Peacock bridges gaps between Country, Blues, Americana, and Rock-N-Roll. Her music is raw, truth telling, and fiercely unique. 

Held hostage by her record label at 21, the troubadour life came with a rude awakening for the young Georgia native. Peacock made her home in a ‘92 Volvo with her dog and a guitar, and for nearly seven years earned a living in the corner shadows of American dive bars. 

The tables turned in 2011 when an anonymous fan helped Peacock buy out of her recording contract. Since then, she has released six additional albums and won multiple awards for her songwriting. “Hurricane” won Best Song in the American Songwriting Awards, and “Beautiful” was a winner with International Unsigned Only. “The Cool Kids,” and “Are We There Yet” have nominated her for Best Female Artist and Best Song in a number of songwriting competitions. Peacock was also named Listening Room Network’s Artist of the Year. 

In 2013, Peacock released her self-produced album, Albuquerque Sky, recorded in hotel rooms across the country while maintaining her rigorous 250 show tour schedule. Albuquerque Sky was followed by a season of goodbyes, tremendous growth, and challenges, and became the catalyst for her next album, Dream On (2016). “This record helped me get un-stuck. I had a collection of live recordings which became Dream On. After such a creative dry spell, I knew I needed to hit the road and stay out a while – reconnect with my fans,” says a determined Peacock. “I found this old silver eagle tour bus in Austin, TX. I was so enchanted with it, and the renovation process really reigniting my troubadour flame. So I bought my very first bus. Oh, what a feeling!” But less than 4 months later, she would watch it burn to the ground at a California truck stop. 

One of Peacock’s fans voluntarily initiated a fundraiser, which is what kept her on the road. Another fan, so touched by her story, donated his motor home so that her tour could go on. That special connection between Sarah Peacock and her fans is what gives her the strength to continue overcoming. “You have to be unstoppable, even when you don’t believe you are.” That’s the modus operandi for the now half Tennessean, half Texan road warrior. 

Sarah Peacock is active in the anti-bullying community, and her song, “The Cool Kids” has become a powerful anti-bullying anthem. Its message has taken on a life of its own. As she travels the country, Peacock shares her story in schools, empowering young people to embody her message of kindness and love. 

Peacock is also an animal lover and tours with her pups as often as she can. Her late road dog, Gibson, was one of the first canines to receive a prosthetic mitral valve in a clinical trial at CSU in Ft. Collins, CO in May of 2017. Unfortunately, Gibson passed away. To honor his memory, Peacock recently formed her own 501(c)3, The Band Waggin,’ benefiting various animal health and rescue programs throughout the United States. 

After completing two EP’s for Nashville label, American Roots Records, Peacock plans to release a full length album on her own label in 2019. Sarah Peacock is the truest definition of a self-made overcomer, hustler, and DIY machine. She’s got a remarkable knack for finding beauty in the ashes, and there’s no denying the future is looking bright for this tenacious up and comer.

ABACAB THE MUSIC OF GENESIS
Jun 29 @ 8:30 pm

ABACAB THE MUSIC OF GENESIS

‘A Trick Of The Tail’ album show’

Formed by five well-seasoned musicians in the Charlotte NC metro area, ABACAB is comprised of vocalist/multi instrumentalist Pete Lents, bassist/rhythm guitarist Cliff Stankiewicz, keyboardist Patrick Raymaker, lead guitarist James Nelson and drummer Matthew Hedrick. We came together with a common goal…Pay loving tribute to one of the most iconic bands of the 20th century, and bring their music back to the stage where it belongs… From progressive rock pioneers of the 70’s, to pop stadium rock icons of the 80’s, to the multi platinum solo careers…This is the music of GENESIS.

 

www.abacabtmog.com

THE BARBED WIRES
Jun 29 @ 9:00 pm
Bill Noonan and The Barbed Wires are Country and Western traditionalists with rock and roll tendencies: they play old fashioned C&W with a reverence for the roots, and a dynamic creative spirit. Their approach can be compared to other bands that have explored the border of C&W and rock and roll: from way-back influences like the Byrds and Gram Parsons to more contemporary acts such as the Derailers and the Hacienda Brothers. The Barbed Wires combine an extensive repertoire touching on C&W, bluegrass, blues, and rock and roll with Noonan’s catalog of top-notch original tunes. Noonan is known as former leader of the Rank Outsiders, regional favorites in the 90s and early 00s. His more recent work is reflected on two solo albums Catawba City (2006) and The Man That I Can’t Be (2009). All of the Barbed Wires: Bill Walpole (steel guitar), Joe Williams (bass), Lee Sharpe (drums) and Chris Chandek Peace (guitar) are long-time veterans of the Carolina music scene, known among players and fans alike for their musical versatility, and their energetic and highly entertaining live performances.
 
The band lineup has really just come together since the first of this year, with Lee Sharpe (Leebo) coming on board on drums, and Country Bill (Walpole) back in the mix. Chris Peace is doing a great job on guitar and harmony vocals, and there is nobody more solid than JoeW (Williams) on bass. It’s a great bunch of guys, and everybody really loves to play, so we’re excited about the possibilities…so many tunes, so little time. Leebo and Joe have been playing around town forever, but our musical circles did not overlap until fairly recently. Chris was one of my guitar students back in the 80s, he played in Sugarsmack in the 90s, but then left music for quite a few years…we reconnected about the time my last CD came out 2 years ago. Country Bill has been one of my very best compadres for many years…he played with Lenny Federal and the Federal Bureau of Rock and Roll back in the day, and we had an act for a while in the early 00s called Country and Western Bill…we hadn’t done much together over the past couple years, so it’s great to have him back on board in the Barbed Wires.
Arson Daily BadCameo
Jun 29 @ 10:30 pm
Arson Daily

Arson Daily

‘North Carolina natives, Zach Dunham, vocalist/ guitarist, Quincy Platt, bassist, and Adam McLean, drummer, formed Arson Daily in 2014. The band mates, aka trifecta of talent, work hard, and play harder – While making music and performance professionalism their main focus in a proper rock n’ roll fashion.

In the early stages of Arson Daily, they spend months playing in packed basement shows; Contributing to their inspiration and growth of stage performance. Their energy encapsulates the listener, holding them hungry for the next show. The blending of Dunham’s vocals, coupled with Platt’s golden-groove bass licks, and the complex sound of McLean’s percussion, create the vox-garage style that is the revelation Arson Daily.

When put up against the world, music like Arson Daily can teleport you to a tropical brit-rock reservoir, with their story telling abilities that showcase the sentimentality that even an extroverted three piece can provide. For listeners looking to walk like a badass, throw on Arson Daily to put some party pep in your step.’

BadCameo

BadCameo

Hailing from the landscapes of Winston-Salem, North Carolina, Rock/Jazz & Americana artists BadCameo have been hitting the ground running in the music industry relentlessly since forming in 2017.

The band is well known for their multifaceted sound, with influences stemming from Funk, Jam, and Jazz. All of that is wrapped up in a tight and versatile Rock sound that gives BadCameo a style that is fresh, authentic, and attention-grabbing. On October 13th, 2017, they released their debut single on Spotify and quickly began to garner critical acclaim and positive reception among fans, landing on a Spotify ‘Fresh Finds’ playlist within a week.

The band performed on a very prominent live radio spot December 15th, 2017 on WHUP in Hillsborough, NC. Shortly after, they released their anticipated follow-up single for their fans to indulge in, with an active show schedule to follow suit.

As BadCameo continues to climb their way to the top, be sure to connect with them on their official social media and music streaming platforms for booking, contact info, news, events, and all things that surround the band.

Jul
3
Wed
SCOWL BROW w/Green Fiend, The Poontanglers, Paperback
Jul 3 @ 8:00 pm
SCOWL BROW

SCOWL BROW

With the state of tired, humdrum, woe is me indie rock plaguing the airwaves it’s hard to find any glimmer of hope on the horizon. Shining like a beacon is Scowl Brow. Starting as the brainchild of singer/ songwriter Robbie Hale Scowl Brow is a powerful and honest approach to a genre that has been lacking substance for quite some time. With his prolific songwriting skills in tow Hale recruited veteran musician Joshua Taddeo to fill the slot as Drummer which cements the relentless thundering back beat of Scowl Brow. After several lineup changes with multiple bass players the boys in Scowl Brow chose another veteran musician in Justin Driscoll to give the three piece, finally, a sense of strong continuity. With their line up firmly in place Scowl Brow’s ready to take on the world. Robbie Hale’s poignant look into a life less ordinary and Taddeo and Driscoll’s hammering rhythms Scowl Brow maintains a strong punk ethos with a pop sensibility that is unparalleled with most bands out today. Scowl Brows music gives the sense that it’s dangerous and could fall apart at any minute but there’s a heart beating beneath all that angst that makes it warm and accommodating which makes it special.
 
Green Fiend

Green Fiend

Fast, heavy and loud stoner metal quintet. We blaze through riffs and rips. 

Joshua Taddeo – Vocals
John Stone – Guitars
Steven Funderburk – Guitars 
Justin Bickley – Bass
Taylor Arthur – Drums

New EP, ‘Garden of Weeden’ out on 5/24/19 via the Hell Command records!

 
The Poontanglers

The Poontanglers

 
Paperback

Paperback

Emo band from North Carolina. 
New single “Growing Pains” available now on Cardigan Records!
Jul
12
Fri
PANTEON ROCOCO
Jul 12 @ 8:00 pm
PANTEON ROCOCO
Mexican ska band founded in 1995 in Mexico City.
Tanis – Percusiones
Monel – Guitarra Eléctrica
Shenka – Voz
Felipe – Teclados
Missael – Sax
Paco – Trombón
Gorri – Guitarra Eléctrica
Dario- Bajo
Quiet Hollers w/ Rare Creatures
Jul 12 @ 10:30 pm
Quiet Hollers

Quiet Hollers

Quiet Hollers formed in Louisville around the songwriting of singer/guitarist Shadwick Wilde, who originally formed the group with the idea of playing only one show—the CD release of his solo effort, Unforgivable Things, in 2010. The group’s debut, I Am the Morning, followed in 2013. The alt-country styled album was a limited success, spawning a cult following in the US and some international critical praise, allowing the band to continue touring on the DIY circuit, where changes in personnel and taste saw the band exploring territory beyond the genre.

In 2015 the band’s self-titled sophomore album Quiet Hollers introduced them to a much broader audience, drawing praise both for the breadth of its influences and for Wilde’s lyricism. Consequence of Sound called it a “beautiful portrait… breaking the confines of roots music” with PopMatters aptly noting the band’s “strong post-hardcore influence.” The album brought the band to Europe for the first time, selling out shows there and back at home stateside. Breakout singles found their way onto TV shows, coffeehouse playlists, and a #9 debut on the FMQB college and indie charts.

Quiet Hollers signed with the indie label SonaBLAST! for their third album, Amen Breaks. The album draws parallels between the modern entertainment landscape and the cultural crossover of the 1970s– another decade marred by division, political corruption, and terrorist bombs. Their shape-shifting palate makes use of orchestral strings and brass, vintage drum-machines and samples (including the Amen Break, the most sampled piece of music in history). Amen Breaks explores themes of spirituality, sexuality, and mental illness.

 
Rare Creatures

Rare Creatures

Formed initially as an experiment in diverse songwriting, Rare Creatures has grown into a full on rock spectacle. Their sound navigates between heavy synth rock and melodic acoustic rhythms seamlessly from song to song, switching it up around every corner. Influenced by bands from Alt-J to King Gizzard and the Lizard Wizard, with some ethnic spices sprinkled in for good measure. The group is fronted by Coleman Sawyer on vocals and guitar, with Hugh Camp on bass and synthesizer, Aaron Reece on lead guitar, and Logan Crank banging the drums. Their debut album was released on July 27th, 2018.
Jul
13
Sat
C2 & THE BROTHERS REED
Jul 13 @ 7:00 pm – 10:00 pm

Hailing from Kentucky with a sound as unique and smooth as the state’s beloved bourbon, C2 & The Brothers Reed’s authenticity shines – in their music, and on stage.

After the independent release of their first EP “Hot Mess”, along with an extensive tour schedule (250+ shows in 2015-16) traveling mainly in the southern part of the country, they took to the studio less than a year later to cut their new record Weigh Station Tour. Split into sides, ‘Exit A’ and ‘Exit B’, Weigh Station Tourexplores gritty rock and roll while referencing 60’s and 70’s era soul music, embracing a style that is nearly lost but deeply needed in the surge of modern sound and technology.

EVENT DETAILS:

  • When: Saturday, July 13
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Jul
19
Fri
ROGER CLYNE & THE PEACEMAKERS
Jul 19 @ 8:00 pm
ROGER CLYNE & THE PEACEMAKERS
Bridging the gap between rock & roll, roadhouse Americana, and the music sound of the southwestern United States, Roger Clyne & The Peacemakers have carved their own path over the last 25 years. They’ve traveled the world, sent eight albums to the top of the Billboard Internet Sales Chart, launched an annual music festival in Mexico, started their own line of ultra-premium tequila and built a global community of music-lovers and peacemakers – all while remaining 100% independent.

The band just released their 10th studio album in 20 years – ‘Native Heart’. Produced by Grammy winning legend Steve Berlin and mixed by Michael Brauer at the iconic Electric Ladyland, they shine new light on a band that’s built a career on trekking their own path with their own sound style of twang and taller-than-life characters of the Southwest to a rock & roll soundtrack. 

The band’s roots run deep, sinking back to a time with The Refreshments – the hometown heroes of Phoenix during the mid-1990s, fueled by a major-label deal with Mercury Records, a popular song (”Banditos”) on American rock radio and MTV, and the unique distinction of being both the composers and performers of the theme song for the culture favorite ‘King of the Hill’ TV show. All served to introduce Roger Clyne’s songwriting to a national audience. The Refreshments sang about Mexico, liquored-up bandits and troubadours, mixing the lore of the American Southwest with guitar muscle and pop/rock melody. Clyne deepened that sound with The Peacemakers, a roots rock band relying not on a record label for support, but on near-constant touring and a rare, genuine connection with fans.

Last year, the band’s founders, Roger Clyne & PH Naffah, appeared in a full length documentary ‘here’s to life’ about The Refreshments. Which celebrates the 20th Anniversary of the debut album, Fizzy Fuzzy Big & Buzzy. Two decades after its release, the album continues to influence a wide range of rock and country musicians, 12 of who will put their own stamp on the album’s music with an upcoming, all-star tribute album recreation of the iconic album

 

 
Frederick the Younger, Grace Joyner, Modern Moxie
Jul 19 @ 10:30 pm
Frederick the Younger

Frederick the Younger

Hailing from Cleveland, Ohio, some of Jenni Cochran’s earliest memories are of writing songs. Returning to the USA after working in Vietnam for a few years, she met Aaron Craker (guitar, keys, vocals) who was performing with his band Dr. Vitamin. The two immediately bonded over their shared love of Elliott Smith and The Beatles. They formed Frederick the Younger a few years later, releasing their first full length record “Human Child” in 2017. 

The band is their bond, formed on groovy garage pop, soulful vocals, a hint of Broadcast, Dr Dog and 60s pop with a modern twist. There is an earnestness to their newest songs on a forthcoming EP that rings true – the kind of sincerity born from experience. These songs feel alive and well-lived, tragic, nostalgic, beautiful, and contemplative, all with a solid hook.

 
Grace Joyner

Grace Joyner

Grace Joyner started making waves with her debut LP ‘Maybe Sometimes- in C’ in 2016. She teamed up with Charleston’s Wolfgang Zimmerman (Band of Horses, Susto) again to record her sophomore LP set to come out later this year. Joyner’s ability to weave in & out of a haunting, powerful sound & a soft intentionality allow for captivating performance both in & out of the studio.
 
Modern Moxie

Modern Moxie

Indie pop/rock band Modern Moxie’s effervescent pop melodies floating over the distorted fuzz of angst-ridden guitar combine with unique vocal stylings to produce an intimate, first-person narrative with a nostalgic 90’s alt-rock vibe. Charlotte based members include Madison Lucas (vocals/guitar/synth), Phil Pucci (lead guitar), Harry Kollm (bass), and Charlie Weeks (drums).
Jul
20
Sat
Lovely World + Ted Marengos
Jul 20 @ 10:30 pm
Lovely World

Lovely World

Hailing from Spartanburg, SC, since 2015. Lovely World has managed to put a twist on youthful themes of love and fear with their ethereal, intense rock n’roll music. Close friends since elementary school, Lovely World is Landon Rojas (vocals/guitar), Cade Rojas (drums), Cameron Smith (guitar), and Colton Weathersby (bass). With a truly remarkable musical chemistry, Lovely World has developed a unique rock sound.
 
Ted Marengos

Ted Marengos

Formed in 2011, Ted Marengos was born from the union of ideas and inclusions of the brothers Júlio Starace (vocals and guitar), Luiz Pimentel (bass) and Thomaz Ayres (drums).
In 2014, the band released their first album, First Prints , which won awards and praise in Brazil.
In 2017, Ted Marengos released their second album, Lifts . With more organic sound and recorded on analogue tape in New York, and yielded the classification of most interesting retro band of the times, according to the Roling Stone Magazine and rated 4 of 5 stars.
2019 saw the release of their third album, Timeless Beat and will tour the US all summer in support of this release.
Jul
24
Wed
Jake La Botz
Jul 24 @ 7:30 pm
Jake La Botz

Jake La Botz

Jake La Botz’s story seems entirely too cinematic to be true – a film with shades of Merle Haggard and Tom Waits and Charles Bukowski and Mark Twain and Sid Vicious and David “Honeyboy” Edwards and Jim Jarmusch and Boxcar Bertha and Jack Kerouac all wrapped into one. And all of these experiences play into his new album ‘Sunnyside,’ out May 12 on Hi Style Records, a record that shows that his imagistic songwriting, storytelling range, and recounting of his experiences are just as deep as the aforementioned list of greats.

A juvenile delinquent in the early ‘80s discovering punk music and drifting. A high school dropout who works odd jobs. A subways and street busker taken under the wing of grizzled, wise bluesmen in Chicago. Avid reader who charts a self-education in a public library while falling under the spell of music, tattoos, sunshine, cheap motels, and drug addiction in southern California. Film actor. Gospel musician in all-black church. Buddhist. Meditation teacher. Then, through innumerable gigs with his Chet Baker looks and his large-bodied guitar, he finds friends and admirers in J.D. McPherson and a whole new crop of Americana musicians in his new abode in Nashville. This is Jake La Botz’s true story.

Aug
2
Fri
IAN FERGUSON
Aug 2 @ 7:00 pm – 10:00 pm

Ian Ferguson can do it all. No, really—the Nashville musician played all the instruments and did all the engineering for his song “State of Gold,” the first single off his forthcoming debut album of the same name.

Ferguson is part of a troupe of retro raconteurs with a taste for the strange sonics of the ‘70s, young punks who grew up digging Bowie, Wire and Bolan in equal measure. Artists like The Lemon Twigs, The Nude Party, and Ferguson’s tour-mate Ron Gallo are amongst Ferguson’s contemporaries, and “State of Gold” is proof of that. Underneath the dust and grit is a sinewy glam track that wouldn’t feel out of place on, say, Electric Warrior. The devil is in the details here—the background vocals that sound like a room full of heads humming with the great over-spirit, that faint acoustic guitar sidewinding through the dirty-blues leads—and it makes Ferguson’s track more than the sum of its collective inspirations.

–TheDaily Dose

EVENT DETAILS:

  • When: Friday, August 2
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Aug
8
Thu
HEDONISTAS
Aug 8 @ 7:00 pm – 10:00 pm

Hedonistas is a five-piece funk/pop/rock band from Atlanta, Georgia. In 2018, they released their debut record, The Way Things Were, highlighted by Vulfpeck’s Cory Wong sitting in on their hit song On the Run. Their energetic performances have propelled them to several sold out shows in Georgia, as well as spots on festivals around the southeast.

EVENT DETAILS:

  • When: Thursday, August 8
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Aug
10
Sat
SOL DRIVEN TRAIN
Aug 10 @ 7:00 pm – 10:00 pm

Sol Driven Train’s music weaves through genres like images in a Tom Robbin’s paragraph. The band’s playful sonic schizophrenia absorbs songwriting influences like John Prine and Paul Simon, Afro-Caribbean rhythmic explorations, and funky New Orleans-style brass into earnest songs of life, love, loss, and long johns. The versatile five-piece band based in Charleston, SC features rotating lead vocalists, and multi-instrumental talent spread across horns, strings, keyboards, and percussion.  Combining rich varieties of American pop and folk music into their own brass-kickin’ roots rock sound, Sol Driven Train has carved out a unique musical identity within the Jam and Americana music scene.

EVENT DETAILS:

  • When: Saturday, August 10
  • Time: 7:00pm – 10:00pm
  • Location: Belmont Abbey College Island
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Aug
15
Thu
WILD ADRIATIC
Aug 15 @ 7:00 pm – 10:00 pm

Rooted in the rowdy spirit of rock & roll, Wild Adriatic has built an international audience on a combination of groove, grit, and guitar-heavy swagger. With the power trio’s newest album, Feel, bandmates Travis Gray, Rich Derbyshire, and Mateo Vosganian update the sound of their influences — from Seventies rock to Motown to soul — for a contemporary audience, taking influence from the past but never losing sight of the present. They aren’t revivalists; they’re modern men, carrying the torch of melodic, riff-ready, high-energy rock into new territory.

Whittled into sharp shape by a touring schedule that’s kept them busy for roughly 175 days a year — including two European tours, countless stateside runs, and appearances at festivals like Bonnaroo — Wild Adriatic’s three members recorded Feel in Austin, teaming up with Grammy-nominated producer Frenchie Smith in the process. The goal was to shine a light on the band’s strength as a live act, avoiding click tracks, digital instruments, sampled sounds, and other tricks of the recording studio. Instead, Wild Adriatic focused on the same core ingredients — Gray’s guitar playing and soulful sweep of a voice; Vosganian’s percussive stomp; Derbyshire’s in-the-pocket bass — that helped kickstart the band in 2011, back when Wild Adriatic formed in Upstate New York.

EVENT DETAILS:

  • When: Thursday, August 15
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Aug
17
Sat
MARADEEN
Aug 17 @ 7:00 pm – 10:00 pm

MARADEEN is an American rock band from Nashville, TN comprised of Whit Murray (guitar, vocals), Kaitlyn Connor (piano, vocals), Tom Galloway (guitar, vocals), & John Rodrigue (drums).

In 2014, founding members Murray and Connor fused their jazz and classical backgrounds with their affinity for high-energy electric rock, creating an undeniably unique sound and on-stage chemistry. In 2015, songwriter Tom Galloway moved to Nashville and began collaborating with the band. Murray and Galloway shared a musical history under the band, Mama’s Love, who had also shared the stage with Connor’s prog rock band, Afro. Berklee School of Music connected Murray with John Rodrigue, rounding out the lineup.

Their first LP, Mirage (2015), revealed well-versed musicianship and intricate sonic dynamics. Moon Taxi’s Wes Bailey took the production helm for MARADEEN’s second album, Above the Horizon (2016), and brought to life a sound that was more eclectic, more layered, and more refined all at the same time.

MARADEEN is currently on tour across the country with highly-acclaimed reception. They have shared the stage with acts like Bon Jovi, The Rhythm Devils, Todd Nance, Keller Williams, The Revivalists, Moon Taxi, Perpetual Groove, The Apache Relay, Bloodkin, and Colonel Bruce Hampton, to name a few. MARADEEN is poised as a rock band on the rise, breaking musical ground both in songwriting and in the live arena.

EVENT DETAILS:

  • When: Saturday, August 17
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Aug
22
Thu
TRAE PIERCE & THE T-STONES
Aug 22 @ 7:00 pm – 10:00 pm

Grammy Award-winning bassist Trae Pierce is leading a wild new musical experience known as Trae Pierce & the T-Stones (TPTS). Defined by hard-edged funk and hip-hop mixed with rock and blues, TPTS has developed a high-energy live show with a modern feel that also recalls the unstoppable grooves of Bootsy Collins: they “wants to funk you up!” Trae is a world-class bassist and four-time Grammy Award- winner (with the legendary Blind Boys of Alabama) who cut his bass chops as a member of The Ohio Players.

From his Florida home, this bass “monster” has hand-picked a vibrant young group of musicians with limitless energy and extreme talent, and together they’ve been tearing up dance floors throughout the Southeast with a genre-blending twist of funk-rock rhythms that bring out the best in every beat. After sharing the stage with funk powerhouses George Clinton, Parliament Funkadelic, The Revivalists, Yo Mama’s Big Fat Booty Band, The Dirty Dozen Brass Band, and The Main Squeeze among others, TPTS is ready to take their party nationwide.

EVENT DETAILS:

  • When: Thursday, August 22
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Aug
23
Fri
THE FLOORBOARDS
Aug 23 @ 7:00 pm – 10:00 pm

The Floorboards are an American Roots Rock Ensemble hailing from the Blue Ridge Mountains of Virginia. The band marries rock & roll and country roots with the sights and sounds of southern mountain towns. Jake and Rob shake the leaves from the trees. Chris coaxes stringed cries from the hills and hollers. Matt writes and sings the story.

The Floorboards released their second studio album, Borrowed Moon, on November 21, 2017. Borrowed Moon finds the Roanoke, VA based band delicately walking a line between singer/songwriter, Matt Browning’s, evocative lyrics and guitarist/songwriter, Chris Blankenship’s, tastefully blistering guitar work.

Since the Floorboards’ debut album in 2012, the years have gone by in a flash of Ford Econoline and rock ‘n’ roll. Borrowed Moon was given its first kick at life in 2013 with the band’s original lineup. Something with the music didn’t feel right, so they took to the road to figure it out. As the dust settled, the band experienced lineup changes, a few broken bones – and the songs that singer/songwriter Matt Browning penned with an acoustic guitar became their proud workingman’s rock ‘n’ roll music. Somewhere between Birmingham, Alabama and New York City, the band agreed a total change of scenery was needed to drive their next album forward.

Since forming in Roanoke, Virginia in 2012, The Floorboards have toured extensively throughout the East Coast, sharing stages with Dwight Yoakam, Trampled by Turtles, Darryl Scott, Tim O’Brien, Yarn, Los Colognes, Royal Southern Brotherhood, Will Overman, and many more.

EVENT DETAILS:

  • When: Friday, August 23
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Aug
24
Sat
VOODOO VISIONARY
Aug 24 @ 7:00 pm – 10:00 pm

Hailing from the Dirty South musical mecca of Atlanta, GA, Voodoo Visionary’s improvisational funk dance music balances a tight, grooving rhythm section with soulful organ, funky clavinet, singing synthesizers, masterful guitar licks, and moving vocals to create a sound the group calls psychofunk. Influenced by a wide array of artists from Parliament Funkadelic and the Meters to the Grateful Dead and Allman Brothers Band to Miles Davis and Herbie Hancock, Voodoo Visionary has a uniquely blended sound that’s guaranteed to put the ‘oogie in yo boogie.

EVENT DETAILS:

  • When: Saturday, August 24
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Aug
30
Fri
THE VOLTS
Aug 30 @ 7:00 pm – 10:00 pm

The Volts truly began in North Florida, where gospel and soul music lay as thick as the hot, humid air. Band leader Kevin Maines brings a youthful vibrancy to the classic southern R&B/Soul legacy. Kevin’s debut album, American Hustle, received praise for its creative writing, playing, and production, as well as the strong musical maturity rarely seen in debuts. From deep and dirty Duane Allman-esque slide guitar rockers to sweet gospel-inspired falsetto singing, Kevin Maines doesn’t just play in the southern soul traditions, he consumes and then gives them back bursting with his own unique twist. From gritty to ethereal, this music speaks for itself.

After taking a few years to write new material, Kevin put together his second band, The Volts, consisting of bass player Greg Jungbluth, drummer Joey Lanna and Kevin’s brother Derek Maines on keys along with a cast of other Florida musicians to record the follow up album Raiders On The Southern Wild. Kevin Maines and The Volts released their first album in June 2017. Fans of Funkadelic, Son House, Ray Charles, and Prince should take notice. Inspired by the never-ending creativity of D’angelo, this album moves past typical blues song formats and takes creative chances. After a year of steady touring, Kevin Maines and the Volts have shortened the band name to just The Volts. Some musicians dig deep into tradition, while others are endlessly creative risk-takers; every now and then someone comes along that does both. The Volts are those unique individuals.

EVENT DETAILS:

  • When: Friday, August 30
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Sep
6
Fri
CRANFORD HOLLOW
Sep 6 @ 7:00 pm – 10:00 pm

South Carolina’s Cranford Hollow has been on the road now for almost 4 years. They love every mile out on the road and every new person they get to share their music with. They now have three albums under their belt and are looking for westward expansion.

EVENT DETAILS:

  • When: Friday, September 6
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Sep
13
Fri
BIG DADDY LOVE
Sep 13 @ 7:00 pm – 10:00 pm

Big Daddy Love is a five-piece band with a unique and natural blend of rock, roots and grass that they call ‘Appalachian Rock’. Above the mix, the lead vocals and acoustic guitar accompaniment of their principal songwriter, Scott Moss, command the listener’s attention and call for the harmonies that arise in response. Twin leads of Stratocaster riffs and soaring Allman-esque slide guitar on the one hand, and 5-string Scruggs / Fleck style banjo on the other– like a typical Southern rock line-up, just replacing the second guitar with the banjo– punctuate and emphasize what Moss delivers. These contrasting voices are anchored by a rhythm section that is equally at home in a groove or driving the bus with country, swing, funk or straight ahead rock. Big Daddy Love’s high-energy performances, fueled by this combination of fiery vocals, striking instrumental dynamics that range from bombastic assaults to soothing grooves, have garnered them a strong, passionate following throughout their home region.

EVENT DETAILS:

  • When: Friday, September 13
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Sep
18
Wed
Keb’ Mo’ – Solo Acoustic
Sep 18 @ 7:30 pm – 10:00 pm

Over the years, Keb’ Mo’ has proven that he is a musical force that defies typical genre labels. Album after album, 14 in total, garnered him 4 GRAMMY awards and a producer/engineer/artist GRAMMY Certificate for his track on the 2001 Country Album of the Year, Hank Williams Tribute — Timeless. Over the past two decades, Keb’ has cultivated a reputation as a modern master of American roots music through the understated excellence of his live and studio performances.

In 2017, Keb’ Mo’ released TajMo, a collaborative album with the legendary Taj Mahal. The multigenerational duo went on to tour the US and Europe in support of their album; which has since earned a GRAMMY Award for Best Contemporary Blues Album.

‘Life Is Beautiful’ Keb’ Mo’ Meet & Greet Experience

  • One (1) premium reserved seat in the first (5) rows
  • Meet & greet / photo opportunity with Keb’ Mo’
  • One (1) merchandise gift autographed by Keb’ Mo’
  • Dedicated and early venue entry for merchandise shopping
Sep
28
Sat
THE GET RIGHT BAND
Sep 28 @ 7:00 pm – 10:00 pm

he Get Right Band has been described as a funk-rock-reggae band, they’ve been described as a psychedelic-indie-rock band, and they’ve been described as a jam band. While they are indeed all of these things, they are fiercely determined to not be pigeon-holed by any style or label. They are shapeshifters, focused on following their muses to honest self-expression, to whatever excites them and pushes them into unexplored territory. The Get Right Band proudly carries the torch for a long line of genre-bending power trios from Cream to The Jimi Hendrix Experience to The Police to Violent Femmes to Primus to Green Day to Nirvana to Sublime. It’s the space between the notes, the rawness and the maneuverability, that makes a power trio, well, so damn powerful.

The Get Right Band’s career highlights include shows with Everclear, Rusted Root, Dr. Dog, Smash Mouth, Ozomatli, Dirty Dozen Brass Band, and Victor Wooten; appearances on NPR’s World Cafe and Nashville’s Music City Roots television show; and performances at major festivals and venues including FloydFest, StrangeCreek, Riverbend Fest, The Orange Peel, Brooklyn Bowl, and The Hamilton.

The band is built on the musical brotherhood that guitarist/vocalist Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school. Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, has guitar chops that can soothe or rage and a charismatic swagger as a frontman and a singer. “Durocher has an impressive range and rich clarity to his vocals—think a more soulful Dan Auerbach” (Connect Savannah). Gentry’s virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). With the addition of Jian-Claude Mears, a drummer with “precision, passion, and an inescapable momentum” (Live For Live Music), the group’s sound has become an unstoppable force. They have been wowing audiences around the country and the Caribbean since their inception in 2011 with an unparalleled live show and a relentless tour schedule.

EVENT DETAILS:

  • When: Saturday, September 28
  • Time: 7:00pm – 10:00pm
  • Location: River Jam Stage
  • Cost: Free and open to the public
  • Weather: Events are scheduled to proceed rain or shine.  In the event of severe weather, the USNWC reserves the right to reschedule/cancel live music performances.
Nov
1
Fri
Dennis DeYoung: The Grand Illusion 40th Anniversary Album Tour
Nov 1 @ 8:00 pm – 11:00 pm

In 1977, history was made upon the release of THE GRAND ILLUSION album. DENNIS DEYOUNG AND THE MUSIC OF STYX celebrate that history by performing the album in its entirety plus all eight Top Ten hits LADY, BABE, COME SAIL AWAY, TOO MUCH TIME ON MY HANDS, BEST OF TIMES, MR. ROBOTO plus classic rock anthems RENEGADE, BLUE COLLAR MAN, SUITE MADAME BLUE and many more.

DENNIS DEYOUNG is a founding member of STYX and the lead singer and songwriter on seven of the bands eight Top Ten hits. DENNIS is a legendary singer, songwriter, keyboardist, composer and record producer with a career spanning over 40 years. His voice is one of the most recognizable in the music world today and continues to inspire new generations of fans. THE ORIGINAL VOICE….ALL THE CLASSIC HITS….ALL THE MEMORIES….ONE UNFORGETTABLE EVENING.